1-4 Players
Designer: Costa, Rôla
Artist: Marina Costa
Publisher: PYTHAGORAS
Pythagoras brings us the third game in the Cinco Quinas line, full of Portuguese themes, cubes and odd rules. But, as an official hater of olives, does this leave a bad taste or does it flow well like a good Portugese olive oil?
How to Play
You play a number of turns depending on the player count, and each round starts with revealing a new nation card. Then players play cycles, once with each player leading.
Each cycle starts with players drawing five cards from their deck and playing two face down on their board, discarding the rest. Then, they go around revealing a card and activating its action. But, here’s the fun part, you activate the card you revealed and every card that shares it’s symbol.
The actions are pretty standard production business. Get olives, convert them into olive oil, get money, or use those to get cards from the display, which can be advanced actions or scoring opportunities.
After each player revealed both cards, the two cards on the top are discarded, the ones on the bottom go up, and play continues.
With two players, some cards are removed and there is a third “ghost” player that players take turns adding cards so they always contribute two additional symbols.
Solo has a dedicated automa deck that adds multiple symbols and takes cards from the display, but it’s not really an opponent, the game is a beat your own score deal.
Rules and Components
Here things get complicated on both ends. Let’s start with the rules. For the most part they are well laid out and complete, explaining well each card type and the flow of the game. I don’t think the wording is the best, but after a couple of reads I was able to play without major issues.
My biggest problem is with the alternative game modes, meaning 2 player and solo. The changes on the setup are clear, but the flow is often described with vague instructions and implied rulings. For example, for solo it explains that the automa plays the top card each turn, but it is not specified where they are played. Also, for solo, it’s said that it’s setup as a 2 player game, but there is no clear indication that the “ghost” extra player is not used.
Components are for the most part pretty good. The cards are of great quality, the symbology is big and clear, and it has that specific artsy / minimalistic look that is characteristic of the series. Once setup, it is a big sprawling for the box size, but it does have a good table presence.
But there are a couple of usability issues. For example, there are a few types of cards with the same back, expected as it is a deck builder after all, but they are just differentiated by their backs, which already is not idea for color-blind people. But some, for example the blue player and the grey special action / scoring, are hard to tell apart depending on the light.
Score: 7/10
Gameplay
Half of this game is pretty standard production game: get cubes, transform into different cubes, cash in for cards or money, get points. It’s a streamlined and clean implementation of a familiar mechanism that will make a lot of people feel at home.
But where it shines is on the deckbuilding and card playing side of it. It’s a game where reading your opponents is not good, it’s crucial for wining. Timing well and paying attention to what everyone else is doing creates these huge turns where you can be super efficient, but no opportunities exists in a vacuum. It’s not just playing the most common symbols, it’s being ready with the right resources for when those opportunities arise. This is a wonderful style of table interaction, where you get out of your own situation and are required to notice everyone’s game, but nothing is taken, it’s all positive and adding.
Score: 9/10
Theme and Art
Marina Costa has this particular clean, cartoon-y and very whimsical style that became the heart of the Cinco Quinas line, but here is where it’s displayed more and with more details. It’s very welcoming and warm, and makes you want to dive in this world.
And this ties together with the love that Pythagoras usually puts in with their Portuguese themes. It’s not just a game about olives and olive oil, but specific regions and traditions of that country. I may be biased as it is my heritage, but every small detail is evocative. It’s not a heavy handed theme, not in the slightest, but it’s seen and felt.
Score: 8/10
Conclusion
Oliva packs a punch from its small box, threading a nice line between familiar mechanisms and unique implementations. It’s a game that requires table awareness and promotes an environment where players are present at all times, at all turns, always seeing what’s next, what card each one took, what moves they are making and setting up to make. But that is not overwhelming as turns come and go blazing fast. It’s simple, but very rich.
And that is allied with all the Portuguese love that is a big characteristic of Pythagoras and the Cinco Quinas line. As the game is fluid, it allows you to appreciate the theme and feel yourself at home and sink in all the cubic oily goodness. But not the olives, those black cubes are gross and everyone knows it. Or maybe it’s just me…
Score: 8/10
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